Thursday, January 30, 2014


Fashion can be tricky to get right even pronouncing the designer's name can be difficult. Rosie Reeves for British Harper's Bazaar decided to make it easier for you with her A-Z cheat sheet.
Ever found yourself stuck for words when trying to pronounce some of the trickier names in the fashion lexicon? Us too. And, we figured, if we find it hard, then pity the poor woman who has a normal life and no time to study such things. So for anyone who has ever stumbled over Sonia Rykiel or mumbled their way through Martin Margiela, Team Bazaar has compiled the ultimate cheat sheet to help fashion fans master the dialects of the designer alphabet. Practice makes perfect...

Anna Sui: anna swee

Ann Demeulemeester: ann de-mule-eh-meester

Azzedine Alaia: azz-eh-deen ah-lie-ah

Badgley Mischka: badge-lee meesh-kah

Balenciaga: bah-len-see-ah-gah

Balmain: bahl-mahhhhn

Bottega Veneta: bow-tay-guh vah-netta

Christian Lacroix: christian luh-kwa

Christian Louboutin: christian loo-boo-tan

Comme des Garçons: comb dey gah-sown

Dolce & Gabbana: dol-chey and gab-ana

Dries Van Noten: drees van know-ten

Gareth Pugh: gareth pew

Giambattista Valli: gee-am-bah-tease-ta vah-lee

Gianfranco Ferre: gee-ahn-franco feh-ray

Givenchy: zjee-von-shee

Hermès: er-mez

Hervé Léger: air-vay lay-jah

Hussein Chalayan: hoo-sane sha-lion

Issey Miyake: iss-ee mee-yah-key

Jean Paul Gaultier: zhon paul go-tee-ay

Junya Watanabe: jun-yah wat-an-ah-bey

Kinder Aggugini: kinder ag-ooh-gee-nee

Lanvin: lahn-vahn

Loewe: loh-wev-eh

Louis Vuitton: loo-wee vwee-tahn

L'Wren Scott: la-ren scott

Maison Martin Margiela: may-sohn martin mar-jhell-ah

Marchesa: mar-kay-sah

Mary Katrantzou: mary cat-trant-zoo

Miu Miu: mew-mew

Monique Lhuillier: monique le-hu-lee-ay

Moschino: mos-key-no

Olivier Theyskens: oh-liv-ee-ay tay-skins

Proenza Schouler: pro-en-zuh skool-er

Rochas: row-shahs

Rodarte: row-dar-tay

Roksanda Ilincic: roksanda ill-in-chik

Salvatore Ferragamo: sal-vah-tor-re fer-ra-gah-moh

Sonia Rykiel: sewn-yah ree-key-el

Thakoon: tah-koon

Versace: vur-sah-chee

Yves Saint Laurent: eve san lau-ron

Yohji Yamamoto: yoh-jee yam-ah-mo-to

Monday, January 27, 2014

NEW WORK: Chicago Tribune

Jessica Moazami's interviews beauty expert Nicky Kinnaird for the Chicago Tribune
The beauty industry is constantly changing and developing new products, techniques and ingredients. It can be hard to keep up with our increasingly busy lives. British beauty guru and Space NK founder Nicky Kinnaird has been an industry expert for 20 years. Her vision of bringing a carefully edited selection of high-quality niche brands and effective products was realized when she opened her London boutique in 1993. Now with 63 stores in Great Britain, she has been expanding across the U.S. in California, Florida, New York, Illinois and Massachusetts within Bloomingdale's stores. I chatted with Kinnaird about some of her beauty tips and discoveries. The following is an edited transcript originally published in the Chicago Tribune.

Q: Are multitasking products worth the hype and cost?

A: We're all busy women, so it's how to get the most of the products you're buying. I think the best example of a multitasker is the Eve Lom cleanser ($50-$135, Bloomingdale’s).
It works as your eye makeup remover, cleanser, toner, mild exfoliant and skin brightener in one. Why have five different sets of products?

Q: What are you top tips for choosing the perfect foundation?

A: I'm very much a believer in liquid-based foundations. They're much more youthful looking. A powder base foundation often looks heavy on the skin and can be very aging.

Don't ever shop for a foundation online. You'll never get a sense of color and density of pigment on a computer. My recommendation is to come in a store, take off your makeup and have them color-match the side of your jaw.

Always match your jaw to your neck for a seamless look. Lots of people want something a little warmer to give them a glow. Forget it, it always looks fake; instead warm up your skin with bronzers and blushers.

Apply foundation with a brush so you don't waste as much. Kevyn Aucoin has the easiest-to-use foundation brush ($82, Space NK). It works like the pink Beautyblender sponge that the top makeup artists use, but it won't absorb the water from the foundation like a sponge.
When applying the foundation, always start from the center of the face and blend outward. You might find that you need very little across cheek and neck.

Q: What are the hot trends for this season?

A: You've got two different defining looks coming through very strongly this winter.

First is a smoky eye for the evening, only this season it's more refined. Now there is a move away from the fake lashes we've seen of the last two to three years, with the extreme glamour girl look. Instead bring your eyelash curlers out of retirement and apply lashings of mascara.

Top tip: A thicker brush doesn't guarantee more volume. A smaller brush allows you to get to the base of the lash, thereby making them fuller.

The other extreme we're seeing is a really strong red lip.

Poppy King's Lipstick Queen collection ($22, Nordstrom) has many shades from a true red to deep burgundy.
Top tip: Do a smile test to make sure the red is flattering to your teeth. Some cool or warm colors can make them look gray or yellow. Also, with this look don't use too much heavy eye shadow. It's time to pare back the eyes completely, doing a slight retro look.

For more information about Nicky Kinnaird personal appearances at Bloomingdale's check out Space NK's Facebook page.
Beauty 101 Space NK's Nicky Kinnaird share her beauty secrets in Chicago Tribune

Thursday, January 23, 2014

GET THE LOOK: Mindy Kaling

Get The Look Mindy Kaling in French Connection ‘Fauna Fantasy’ dress.
There are many things I love about Mindy Kaling, her humor, her show and of course her very cute wardrobe!!!
French Connection ‘Fauna Fantasy’ dress.
French Connection ‘Fauna Fantasy’ dress.
I’m so in love with this dress that I used it in my Bloomingdale’s British Invasion runway show.
French Connection ‘Fauna Fantasy’ dress at Dillards.
‘Fauna Fantasy’ dress, $398, by French Connection available at Dillard’s. As the dress came out in the fall if you do a little bit of research you can find it in the sale at some stores. I got mine in the sale at Bloomingdale’s for $167.

Friday, January 10, 2014


Love this feature by THE CUT! Just wish there were pictures to go with the it.

My husband should take note as he always tells me it doesn’t matter what I wear but what I say in the interview.
The only thing that’s more intimidating than a meeting with Anna Wintour is a job interview with her. Even among staff members whom she likes working with, the editor-in-chief of Vogue is notorious for giving employees’ outfits a knowing once-over. So what happens when you not only need to dress up (it’s an interview, after all), but also must choose a look that convinces her you’re Vogue material? That’s what we asked dozens of people who’ve been through the ringer in the past few decades. Our thirteen favorite responses, full of Prada and plenty of subpar handbags hidden under desks, are below.

1. The Woman Who Spent More Than $5,000.
They surprised me with scheduling my interview the very next day. Not having worked in fashion, I didn't have anything nicer than J.Crew. So, after work, I went to Barneys because it was the only store open until eight and I could bang it out. I also found a nail salon nearby open until nine, and got a blowout the next morning. I bought a silk Proenza tank dress, Prada heels, and a Celine belt. It was like a supermarket sweep, and I spent about $2,000. I didn't have a new bag, but then the receptionist held my (now downmarket) Marc by Marc bag anyway. They made me come in for another interview, which threw me. I started to really get into it and money stopped becoming a problem. I got a shift dress at Prada from the spring collection and then they sold me the blue patent shoes, and it all looked so good. The dress needed tailoring, but it was going to take a week and I needed it in a couple of days, so I name-dropped and they did it fast. The dress actually was on sale but still more than I ever paid for everything. I think that purchase must have been $3,500.

Got the job.

2. The Woman Who Was Told Not to Cry
I didn’t spend much money at all, as I have a stash of vintage finds. I wore a vintage, linen apricot dress with gold buttons and gold peep-toe heels. I borrowed my friend’s Prada clutch to match, and wore some jewelry from David Yurman, where my friend is a designer. Before the interview, the managing editor asked if I’d ever cried on a job (I hadn’t), because she and Anna “hated going into bathroom and fashion closets and hearing girls sniffle and cry over the 'little things' that go on throughout the day.”

When Anna opened my portfolio and saw my address, she said, "Ah, okay. So you live in BROOK-lyn, huh?" She seemed put off by that, and also asked what my parents did for a living. When I said that they used to be teachers, she was not impressed.

No dice.

3. The Woman Who Went Back — Three Times
Considering it was, I believe, 1989, I'm guessing the ensemble probably involved a teeny Betsey Johnson skirt, opaque black Donna Karan tights, and …cow booties! I'm sure she shuddered. When I got rehired there the second time, I was a bit savvier. I remember a simple black Calvin Klein sheath. And when I was interviewing for my third time back (glutton for punishment), I went to see a friend who was a personal shopper at Bergdorf for a full wardrobe!

Got three different jobs.

4. The Woman Who Wore Doc Martens
I didn't know I was going to be interviewing with Anna that day, but even if I had known, I don't think I would have chosen my outfit any differently. I was just clueless enough to be unintimidated by the whole Vogue thing. (And it was a features assistant job, not a fashion job.) I just wore my favorite outfit from my post-college wardrobe: a dark gray Anna Sui pleated skirt, black cardigan, black tights, and Doc Martens. This was 1993, what can I say?

Got the job.

5. The Man
I got an e-mail on Thursday about meeting with Anna on Monday. As soon as I hung up, I just went into preparation mode, poring over every section of all the major international newspapers. I scheduled a haircut for the following day. As for what I wore, I kept it simple: a light gray Thom Browne suit, a white dress shirt with the top button left unbuttoned, glossy dark brown leather Church's dress shoes polished the day before (worn without socks, of course). The only flourish was a white linen pocket square and a very simple Valextra brief case. Before talking about the position, we talked about current events and then tennis (I've been playing sporadically since being on my high' school's team), which broke any ice. It wasn't scary. She was really lovely, in fact.

Got the job.

6. The Woman Who Bought $1,000 Shoes
I got a call about my interview in the evening around 5 p.m. on a Monday night. “Can you meet with Anna tomorrow at two?” I agreed, hung up the phone, and ran to my closet. Nothing. I called a stylist friend, freaking out, who said, "Calm down, she is a professional, she interviews people all the time. Stop making such a big deal about it," before adding, "but whatever you do, don't wear last season's anything." I had time to go to Soho for a pair of shoes and was waiting outside when Kirna Zabete opened. Somehow I decided that my best option was a pair of Proenza open-toed, stacked heels, despite the rain. I justified the $1K price tag and ran back home to get dressed. I paired them with 3.1 Philip Lim high-waisted, silk pants and a black Celine tote I borrowed from my stylist friend, with a belted coat by Apiece Apart. Everything else I kept super simple: little to no makeup, straight brushed hair, and a wedding ring. By God, no fragrance.

Got the job.

7. The Woman With a Mohawk
This was almost ten years ago, back when Anna Wintour didn’t have to interview everyone applying for a job on staff. I was in the art department, and I tried to push the limit a little by wearing neck ties as belts or going so far as to actually shave my hair into a mohawk. That never got more out of Anna than a look and a smirk.

Got the job.

8. The Woman Who Didn’t Know Enough to Be Nervous
It was 1996. I wore some kind of black wool shift/schoolgirl dress (I want to say it was J.Crew or similar) over a white button-down buttoned all the way up and these cheetah-print YSL shoes that I thought were the best thing ever and I still have even though they have bald spots and don't really fit. I did not know enough to be worried that the look was probably not so great. I thought $300 for the shoes was pretty insane at the time and I definitely did not have Prada, Celine, or even Marc by Marc Jacobs.

Got the job.

9. The Woman Who Was Told to Get a Blowout
Anna was my ninth and final interview at Vogue. I luckily borrowed a friend's forest green Helmut Lang dress, which I wore with black tights from Alter and black Dolce Vita wedges. It was recommended by a Vogue staffer that I get a blowout for the meeting, and, reluctantly, I paid $30 to have my hair blow-dried for the first time ever at a Polish place in Greenpoint. Anna was to the point and all business, and the entire interview lasted under five minutes.

Got the job.

10. The Woman Who Had No Money
HR called me and I had one day to prep. First was the interview with HR, who then rushed me down to meet with Virginia [Smith], then Jessica [Sailer], and then Meredith [Melling-Burke] one after the other. The next day, HR called and said they wanted me to come in again and meet with Anna. So I have one day to prep before my interview with Anna. I was never someone who agonized over outfits and I didn't buy anything for it. I was literally right out of college, so I had no money. I didn't realize people borrowed clothes; I didn't know that was a thing. I wore a J.Crew gold sequin skirt, Mulberry doctor bag, and white silk Equipment blouse buttoned up all the way to the top with a Robert Rodriguez blazer over it. My black heels must have been Zara or Dolce Vita because, like I said, no money. I quickly realized I would never wear anything like that again at Vogue, once I saw everyone was actually wearing clothes off the runway.

I think I spent about three hours doing my hair. I ended up sleeking it back with a high pony at the crown of my head so I couldn't fidget with it. I couldn't twirl my hair in front of Anna.

Got the job.

11. The Woman Who Asked Anna to Wait
During my final weeks before graduating from college, I got a phone call from a Vogue editor offering an opportunity to interview for a position. In my thesis-writing delirium, I thought it was some kind of dream or hoax. I asked if they could wait till after graduation, and they said they would. Right after my graduation ceremony, I took a red-eye flight to begin preliminary interviews. After meeting with four different people, I met AW wearing a black crepe wool Balenciaga dress from the latest collection (all of my graduation money combined put a slight dent in its purchase, but I don't regret it as it's a favorite in my closet), a white dress shirt underneath with a crisp collar and cuffs, a simple-but-interesting pave pendulum necklace, and black Prada banana heels that were all the rage at the time.

Got the job.

12. The Woman Who Went Vintage
So I was maybe 21, at my first job out of college, when I interviewed with her. At that time, I had no money and figured if I wasn't wearing high-end designer, I would do vintage. So I wore a very classic outfit with a vintage winter white pencil skirt, and a blouse that I don't remember. I had new accessories, like designer boots and a bag by Marc Jacobs. Vintage coat. I didn’t end up getting the job, but it was last minute anyway and they had someone in mind already.

No dice.

13. The Woman Who Wore the Vogue Uniform
I was a rover at Condé Nast at the time — it was early days at Vogue when black leggings, a Brooks Brothers boys department button-down, and a sweater wrapped around your waist was an adopted uniform on the editorial side. I wore a black pleated Agnes B. skirt, a black V-neck sweater from Charivari, black tights, and black pointy but squared-off Barneys loafers. Because I was already at 350 Madison that day, I left my black, pleather Ann Taylor tote bag under my desk.

Got the job.

Thursday, January 09, 2014


With the extreme cold weather you might be tempted to get out of town (no one would blame you)! Fortunately, it's winter sale time and I have found the perfect stylish weekend bag, at a great price, to escape those winter blues. One of my fav Italian luggage brands makes these incredibly chic trolleys and they are on sale at Barney’s! Remember style doesn’t end with your clothes.

Pronto Wide-Body Spinner Trolley, currently $179 (original $358), by Bric’s available at Barney’s Warehouse.

Friday, January 03, 2014

REAL v DEAL: Celine v Zara

REAL: Black and red giant jacquard check coat, $2125, by Celine.
DEAL: Checked dress, currently on sale $39.99 (originally $79.90) by Zara.